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Max Winston’s “I Live In The Woods!”

Sunday, January 24th, 2010

woods_drawnposter_smgood

Burning through the animation festival circuit, Max Winston’s “I Live In The Woods!” picks up awards and kudos. Cal Arts grad Max Winston’s thesis film is a high energy stop motion feast of colors and colorful characters. Max bravely and seamlessly weaves together on-set stop motion with live actors and exterior shots, creating a short film with an unexpected and fresh aesthetic.

Check out “I Live In The Woods” site

Check out a time-lapse making of.

Max_01

Max_05

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Zero Takes Gold For Cinematography

Thursday, December 17th, 2009

Zero-ACS-Award

The ambitious stop motion short “Zero” picked up a NSW Gold Award from the Australian Cinematographers Society in the Experimental and Specialized Category. Zero director Christopher Kezelos gives credit to the exceptional work of the film’s director of photography Mathew Horrex. The film was shot using Dragon Stop Motion software.

Christopher had this to say about using Dragon Stop Motion:

“We shot Zero using a Canon EOS 450D and Nikon prime lenses. Due to the manual nature of this setup, we spent a lot of time using Dragon’s Cinematography tools to set up each shot. I found these tools to be an essential part of our shoot as we spent a lot of time tweaking the camera settings and picture framing before capturing valuable stills. Having the flexibility to shoot hi-res images and quickly flip between them to decide on our final settings was invaluable”.

Writer/Director Christopher Kezelos

Writer/Director: Christopher Kezelos

zero-trailer

About Dragon Stop Motion and post production:

“The most obvious conundrum one can face when shooting a stop motion animation is how to effectively manage the thousands of image files and hundreds of directories required. Dragon made this a breeze. It automatically created a directory structure based on our scene and shot numbers. This sped up our work flow dramatically as it allowed us to cross reference our story board numbers with our directory structure to quickly find the shots we were after. Handy during production, a godsend during post”.

Make sure to check the Zero site to see it at a film festival near you.

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Emmy Award for United States of Tara Title Sequence

Wednesday, September 30th, 2009

United States of Tara Titles from Jamie Caliri on Vimeo.

On Saturday, September 12, Jamie Caliri and his crew won the Emmy for Outstanding Main Title Design. The sequence, produced by Duck Studios, features pop-up book style animation and was shot entirely with Dragon Stop Motion.

Credits:

Executive Producer: Mark Medernach
Director/Designer: Jamie Caliri
Illustrator: Alex Juhasz
Lead Animator: Anthony Scott
Title Producer: Morgan Hay

Check out the previous blog posts about the title sequence:
United States of Tara Title Sequence
More on United States of Tara Titles
Animating on ‘United States of Tara’

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United Airlines “Heart” wins the Annie Award

Saturday, January 31st, 2009

Animation industry notables gathered at Royce Hall in Los Angeles for the 36th Annual Annie awards yesterday. ASIFA-Hollywood awarded prizes for last year’s best animation, including projects from film, television, commercials, video games, and short subjects.

It was a night of animation giants, with amazing presenters and presentees such as Henry Selick, Nick Park and John Lasseter.

Best Animated Television Commercial category, director and Dragon Stop Motion co-creator Jamie Caliri picked up the Annie for United Airlines “Heart”.

The commercial was shot using Dragon Stop Motion 1.0 with both Canon and Nikon DSLRs.

fountain

Click here to watch “Heart”

“Heart,” produced by Duck Studios in Los Angeles, included an incredible team, with character designs by Alex Juhasz, paper sculpting by Megan Brain and background designs by Jared Purrington. The lead animators were Scott Kravitz and Eileene Kohlhepp. Yorico Murakami multi-tasked as animator and puppet fabricator along with art department / puppet-maker man, Jeremy “The Beard” Bronson. David Candalaria took on the rigging duties and Huy Vu and Pablo Grande were the fearless art department leaders. Click here for a complete credit list.

A shout-out goes to Seth Green and ShadowMachine for their Best Animated Television Production win: ROBOT CHICKEN: STAR WARS EPISODE II. ShadowMachine runs two Dragon Stop Motion stages for special effects scenes.

A big congratulations to our buddy Mark Osborne and his amazing crew on “Kung Fu Panda” for their sweep of Annie victories.

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Annie award nominations announced today

Monday, December 1st, 2008

Today the nominations were announced for animation’s biggest awards—the Annie awards. United Airlines “Heart”, produced by Duck Studios and directed by Jamie Caliri, was nominated for Best Animated Television Commercial. Warner Bros. Animation “A Miser Brothers Christmas” was nominated for Best Animated Television Production Produced for Children. Both were shot with Dragon Stop Motion software.

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