Dragonframe Showcase

SHOWCASE

A COLLECTION OF STOP MOTION FILMS CAPTURED WITH DRAGONFRAME SOFTWARE

SHOWCASE

A COLLECTION OF STOP MOTION FILMS CAPTURED WITH DRAGONFRAME SOFTWARE

the making of longbird by anderson

2013-08-11

Certainly not baffled by this recent awarding of the 2013 BAFTA for Best Short Animation, though we are mystified by the multiple technique-flexing film itself. Seems Jorge Luis Borgés and Woody Allen have both taken an interest in animation and Russian history, or maybe it is Director Will Anderson, or wait…who is in charge here,

marilyn myller by please

2013-08-05

MARILYN MYLLER – Trailer from Mikey Please on Vimeo. The undisputed Master of the Universe of foam core strikes again. Mikey Please’s soon to be released “Marilyn Myller” further hones and expands the cinematic scope of his signature style. Matt Day and Dan Ojari jump in on this dream team. Their powerful contributions are happily

The Boxtrolls by Laika

2013-08-01

An early Christmas present from the powerhouse studios at Laika, makers of ParaNorman and Coraline. They’ve once again employed Dragonframe in crafting an enchanting alter-world, rife with detail, charm and absolutely top of the line animation. From the studio: “An orphaned boy raised by underground creatures called Boxtrolls comes up from the sewers and out

the man who was afraid of falling by wallace

2013-08-01

Something worthy of falling in love with. This BAFTA Cymru nominated film is the graduation project of Joseph Wallace and DOP and co-animator Emma-Rose Dade. The sweeping piece boasts great angles, beautiful lighting, story progression and music. The correlation between the flower pot and our bodies (physical containers) on this earthly plane is particularly subtle

portlandia ‘dolphin’ by bent image

2013-07-22

Nothing better than poking fun at the sacrosanct—whether it be heart felt environmental politics or your favorite childhood tv show. Prolific Bent Image Lab’s Director Rob Shaw once again crafts an in-your-face eco-humor piece for the Portlandia series. He draws from the lo-fi innocence of late seventies and early eighties children’s shows to contrast with

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