Breathtakingly beautiful yet tragic short film from Karla Castañeda and Luis Téllez. La Noria (the Waterwheel) is sure to be a classic in the legacy of dark romantic Mexican Surrealism. The full version will be released soon, as it is now touring the festival circuit. We are thrilled to offer some great behind the scenes shots of these gorgeous character constructions and sets, and two interviews with the phenomenal film making team.
Good show, old chap. This is a fun piece from Chris Butcher, recalling classic British war movies to near plastic perfection. Read on to hear more about the production and explosively improvisational battlefield tactics.
In her series of clever short animations, ‘Mysteries of Vernacular’, Jessica Oreck breaks it down one letter and one bizarrely labyrinthine word origin at a time. Also pleasingly post modern, is her participation in the wave of direct audience funding- she garners donations for the ongoing project on Vimeo and her website. Artistic independence meets community interdependence. Read on as she shares some language with Dragonframe about the series’ original roots and to see more installments.
Woman on the edge of mixed media brilliance! There is nothing like stop-mo to cross the boundaries and make worlds within worlds. The motion control shots provide a nicely dramatic transition between those worlds. This daring mix of mundane reality and fantastic introspective poetry is a piece by Nicole Emmons. Helder K. Sun helps with cinematography. It is touring the festival circuit, soon to appear at Citizen Jane Film Festival, Columbia, Missouri, October 19-21st. Read on as Nicole shares with us the nitty gritty of her sources, equipment used and improvised technique.
Clever, sweet and well-executed- M.C. Escher would be proud. ‘Head Over Heels‘ recently added the Audience Prize at the acclaimed Hiroshima International Animation Festival to it’s accolades. Read on for a deeply detailed insight into the production from Director Timothy Reckart.
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