Stopmotion Freud from luciano do amaral on Vimeo.
Brazilian Animator Luciano Do Amaral has made a brilliant and hilarious character animation piece in ‘Stop Motion Freud’. Scenery and props from the studio of animator Cesar Coelho of Campo 4, for the Miniseries “So what do women want?”.
Yoopa All Bumpers from David Leclerc on Vimeo.
Bumpers done for Yoopa, a french kids TV channel in Québec Canada. Directed by David Leclerc.
Director Johnny Kelly and the team at Clapham Road Studios UK serve up another ambitious stop motion feast. Shot using Dragon Stop Motion animation software, the camera flies through full-size artwork, including a play button covered in real gold leaf. The project is part of a collaboration between You Tube and the Guggenheim Foundation that will showcase creative clips from around the world.
They have already racked up over one million views. Make sure to check out the Making of as well.
“Het Klokhuis” Opening titles from Johnny Kelly on Vimeo.
Nexus Productions and director Johnny Kelly combine classic stop motion animation with quick and affordable 3D printing technology to create title sequences for the popular Dutch science show “Het Klokhuis” (Apple Core).
The titles are currently featured at The Art of the Title Sequence, where Johnny Kelly provides a lot of behind-the-scenes details on the production process.
The sequences were shot at Clapham Road Studios, a studio in London that specializes in stop motion animation. Director of photography Matthew Day shot with Dragon Stop Motion software and has used it on numerous projects there.
Click here to watch the end titles.
BBC Knowledge from Grandchildren on Vimeo.
Director to watch; Sean Pecknold has once again created an inventive stop motion film with elegance and charm. This time for The BBC Knowledge Channel. Make sure to check out the behind the scenes photos from his site.
Kirsten Lepore
Filmmaker Kirsten Lepore has been wowing the film festival circuit over the last few years, expressing themes of romantic longing using an earthy, tactile approach. Kirsten discusses her move from illustration to stop-motion animation, the physicality of her process, and her youthful beginnings as a camcorder-auteur.
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