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Posts Tagged ‘claymation’

More visionary work from Michael Please

Thursday, June 2nd, 2011

Michael Please follows up his BAFTA winning short film The Eagleman Stag with an ambitious animated music video for Brooklyn band TV On The Radio. The promo was commissioned as part of the band’s feature length film for their third album, Nine Types of Light.

Michael has a way of seamlessly weaving grand abstract cinematic concepts with the subtle interest of his details. They always come together to engage us in an inner psychological story as well as taking us on a beautifully lush visual journey.

We’ve also included a charming short- ‘ZombieGotchi’, that shows his brilliant knack for simplicity, warmth and dark humor in character creation.

Here is a behind the scenes look at Michael’s blood animation. It is a slowed down frame-rate test of the blood spurt, which was all sculpted in camera. Michael tells us that he used his toes to operate the Dragon Keypad when both his hands were in the shot!

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Michael Stevenson creates Pigeon Pilfer claymation with DSM

Friday, October 9th, 2009

Pigeon Pilfer from Michael Stevenson on Vimeo.

Pigeon Pilfer is a beautifully animated stop-motion film from Michael Stevenson. It is his senior film as a student at San Francisco State University. It took him four months to complete and involved sixty pounds of clay. It was shot with a Canon DSLR using Dragon Stop Motion animation software.

Here are some stills from the film and a behind-the-scenes shot of Michael on the set:

Pigeon Pilfer Still
Pigeon Pilfer Still
Michael Stevenson on Set

We asked Michael if he wanted to share his thoughts about Dragon:

“Dragon is by far the most valuable tool in my stop motion toolbox. I began working on Pigeon Pilfer a few months before Dragon was released, so I tried out most of the available stop motion software on both Mac and Windows. I was so unhappy with it all that I attempted to program my own frame grabber.

“Thankfully Dragon came to save the day just one week before I started shooting. It’s the only software I’ve used that simply steps out of the way – it allows me to animate without being encumbered by a complex frame wrangling workflow. By the end of the shoot it was clear that Dragon had things well in hand—all of my captured frames were very clearly marked and sorted, immediately ready for post production. From start to finish, everything just worked.”

Check out the behind-the-scenes gallery on the Pigeon Pilfer website.

             
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