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Moleskine on the Flipside

Tuesday, June 7th, 2011


 
A new series of commercials by dutch artist Rogier Wieland illustrates the new Moleskine Extra Small Planners, Weekly and Daily, shot with Dragon Stop Motion using a Canon 5D Mark II.

(more…)

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Toshiba unfolds in 3D by Stoptrick

Friday, April 29th, 2011

Graceful camera work and elegant paper sculpture unite in Stoptrick‘s spots for the new Toshiba Satellite R630 laptop and the WL768 3D Television

In this piece Stoptrick Studios visually dramatize the evolution of technology from 2D to 3D. They masterfully weave this theme on several levels. The evolution of industry leading Toshiba technology from 2D to 3D. The simple evolution of a brilliant idea—starting with a flat blank sheet of paper and fleshing it out into a highly detailed 3D mini-world. Stoptrick employs high key lighting and white on white color scheme throughout most of the piece to arrive at a full color finale. The piece cleverly celebrates innovation and industry.

The piece was shot and aired in 3D. They used the Dragon IOTA Stereoscopic 3D Slider and our IOTA Controller along with Dragon’s DMX lighting controls. It took a marathon 16 days to shoot these elaborate spots; up to an hour went into each frame. Origami artists constructed the paper models and architecture.
see more versions of commercial

    “We use the DMX quite a bit for automating lights. In the Toshiba spot I used it to dim a light on the ant, and in the laptop spot- when the camera was in a certain position. Works great.
    For the short we are currently shooting, I am controlling tons of colored LEDs with the DDMX S-2 controller and some LED electronics.”

    -Jim Lacy from Stoptrick

This is a great making of video.




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HVW8 and Adidas go Crazy 8

Tuesday, March 22nd, 2011

Adidas collaborated with HVW8 to create the Crazy 8 Illustrations, three 8×8 canvas’ celebrating the return of these shoes. The filmmaking team, La Moustache, collaborated with HVW8 while they were painting to create this film.

Here is what Dale Hayward and Fred Caron from La Moustache had to say about the project:

We had been talking with the guys over at HVW8 a couple of times about how we could fuse their particular graffiti style within some sort of animation project. This past december HVW8 collective was approached by Adidas to create three 8×8 paintings for print ads & then would be use afterwards as the backdrop during the “Adi-Hoop Competition”. That’s when we saw a great opportunity to play with and learn how to integrate animation into what would be  a mini-documentary about the
creation of the paintings.

Early on a Saturday morning, without having seen the final comps of the paintings, or seeing the location of the shoot, we headed up into a small studio space above an art store. Equipped with macs, canons, and dragon, we jumped into the project. Doing everything on location (to limit the post-production work) we ended up trying a lot of different angles and approaches along the way. Always trying to keep track of what the artists were doing during their steps of the creation was the hardest, since we had to improvise with the artist, all the animation had to flow with their
paintings and there’s no going back.

So after 5, 16 hour shoot days, we delved into the edit of combining the stop-mo and live action. It was fun challenge to edit animation like this instead of traditionally never editing animation, you always edit during
the board stage. since there wasn’t time to do any, we improvised right up until the end with the live action to accompany.

looks like we’ll be doing some more of these soon too, so we’ll let you know. take it easy!

-dale and fred

music: Snoop Dogg ft. Marty James “El Lay”



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Brisk Tea vs. Machete with Danny Trejo

Monday, January 10th, 2011

Working with stop motion animation director Misha Klein, San Francisco’s Mekanism, takes us on a world-wind trip through the movie Machete for Brisk Tea. Danny Trejo’s blistering voice-over serves as the perfect track for the ride. Director of Photography, Peter Williams used Dragon Stop Motion’s DMX lighting system, the DDMX-S2 to animate lighting shifts during the many visual transitions. Keep an eye on the nuanced performance. The spot was animated by some of the industry’s top stop motioners.

Animators: Richard Zimmerman, Amy Adamy, Scott Kravitz, Justin Kohn, Webster Colcord

Production Designer: Fon Davis
Art Director: Pierre Maurer



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Gmail Mobile by JESS3

Monday, January 10th, 2011

Behind the scenes:

From The JESS3 Vimeo page:

It’s incredible to think about how much time and energy goes into the making of a short 30-second spot. But when you’re talking stop-motion animation, it takes hours and hours to produce one second. The JESS3 team in LA worked round the clock to make this exciting spot about Gmail’s mobile interface, now available on select phone browsers in 44 languages, and here’s a look at how we did it.

Focused on educating viewers about Gmail’s “just like your web-based-browser” interface available in 44 languages on mobile devices like the iPhone, this larger-than-life 30-second animation was done through the meticulous processes of stop motion and 100% papercraft.

What better way to highlight the features of Gmail, that will now be available on select phone browsers in 44 languages, than to bring these features to life, march them from the web to the iPhone, all through stop-motion animation?

By creating characters out of the familiar and favorite Gmail features, everything from the stars to the threaded conversations take on their own identity and purpose. The original marching band soundtrack sets the upbeat tone as the characters excitedly peel off from the laptop interface and confidently march their way into the iPhone browser. What took around-the-clock weeks of tender love and care into making the props and the stage transformed into an epic 30-second spot for GMAIL.



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